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The second waveform is after the first VCA subtle compressor: You can see that some of the peaks have been tamed, and the waveform looks more unified.

ParallelNew York Compression is all the rage right now to make that pumping sound but Serial Compression can also create impressive results.

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Every compressor has its own character, and by using the characters of multiple compressors in serial you can create a sound which is dynamic and unique in its sound and color.

In this article I will be using Logics Compressor as it has many emulation modes that can be used.

But I will also touch on a few 3rd party plug-ins that are great to have in your sound arsenal.

Step 1 Logics Compressor Circuits What is very interesting about Logics Compressor is the inclusion of the Circuit Type menu.

Here you can choose various circuit emulations that give different compression results.

You get the Class AR (a Neve 226433609 circuitry), the ClassAU (a Vari-Mu circuitry emulator), the VCA ( a DBX 160SSL emulator), the FET (Urei 1176 emulator), as well as Logics own Platinum compressor circuit: The circuit types.

For more details on Logics compressors you can read Mike Watkinsons article on building a Multiband Tube Compressor in Logic.

Step 2 On Vocals Where serial compression really comes in handy is with vocals.

You can use the first compressor to gently flatten the dynamics of the vocals.

You can then use a second compressor after this with a more aggressive setting to color the sound and give it a tonal character.

With my vocal track I have used Logics Compressor with the VCA circuit.

On your material adjust the attack and release settings to catch the peaks of the vocals.

Then adjust the threshold so that you are getting between 1-2 dB of gain reduction.

I am using a mild ratio of 2.3:1 and an Attack of 8.5 ms with a Release of 38.0 ms.

I have pulled the Threshold down to -19 dB where I am getting a gain reduction of about -1 dB.

VCA Compressor. Step 3 The Second Compressor Now onto the second compressor in the chain.

You could use either the ClassAR or ClassAU to add some compression color.

I have used the ClassAU with a drastic compression setting: Ratio, 6.3:1; Attack, 16.0 ms; Release, 11.0 ms; Threshold, -33.0 dB; Gain, 7.0dB.

This gives me a drastic Gain Reduction of -10 to -12dB.

But I like how the slow Attack and fast Release reacts to my vocal audio, and how it colors the sound.

Without having the subtle compressor in the beginning, my vocals will have reacted differently to the drastic compression setting, and they would have sounded quite different.

So you can really alter the dynamics of the sound with multiple compressors.

Here is a screenshot of my audio waveforms after each compressor: The effect of compression on the audio.

Top uncompressed, Middle VCA, Bottom ClassAU).

The first waveform is the audio before it has been compressed.

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